At the Benaki Museum, in parallel with the huge exhibition for the Greek Revolution, there is a smaller show of similarly-themed works by Greek artist Jannis Psychopedis. It consists of a series of portraits of the fighters and heroes of the conflict, as well as an homage to Lord Byron.
The portraits are made using various techniques—from severe monochrome Lino cuts to colourful interpretations of his subjects.
They manage to bring out the personalities of the heroes of the Revolution in a fresh and original manner.
Jannis Psychopedis was born in Athens in 1945 and studied in Athens and Munich. He is one of the main Greek exponents of artistic Critical Realism, an art movement that developed in Europe after the political and social upheavals of 1968.
He lived in Berlin and Brussels and returned to Greece in 1992, where he still lives and works.
I tried to video the series on the wall to give you an idea of the overall impression, but I’m afraid the result is mediocre.
Psychopedis used lockdown to complete a lot of these works. Seen as a whole, I found them quite impressive.
Some weeks ago I finally managed to go and see the wonderful exhibition celebrating the 200th anniversary of the Greek Revolution, at the Benaki Museum in Athens. The modern Greek state, as those of you who read my post(Here) on its 200th anniversary will know, was formed after the revolution which started in 1821 and liberated Greece from four centuries of occupation by the Ottoman Empire.
Below is a wonderful scroll depicting the city of Constantinople (Istambul today)
The exhibition “1821 Before and After”, brings to life more than 100 years of history (1770-1870), and includes paintings, sculptures, personal items belonging to key revolutionaries, maps, historic documents and heirlooms.
During those years, the Greek-speaking Christian Orthodox subjects of the Ottoman Empire retained their language, religion and customs, despite a strong Turkish presence. There was also a lively cultural exchange between the Empire’s various ethnic groups and nationalities—Turks, Jews, Armenians and others. This coexistence resulted in an indirect exchange of customs. Other regions, such as the Ionian islands, which never experienced Ottoman rule, nevertheless enjoyed powerful Western influences.
I shall not attempt to explain the very complicated history of those times, nor take you through the entire exhibition, which is huge, but just show you some of my favourite pieces in an attempt to give you a flavour of that era in Greece.
The Greeks developed a powerful, armed merchant fleet, trading primarily with the Russian Empire, whose protection it enjoyed.
Traders imported foreign goods such as luxury fabrics from Europe and silk thread, resulting in sophisticated fashions.
The dress above is from the island of Andros and the one below from Crete (late 17th-early 18th century)
Two small boys in their best clothes:
And an intricately embroidered bed curtain:
There are multiple portraits of the heroic fighters of the revolution, such as the one of Marcos Botsaris below:
And of course, the romantic figure of LordByron, who famously took up the Greek cause and died of fever at Messolonghi.
The battles and naval battles of the Revolution were well documented. The Battle of Samos, below, is a watercolour by an unknown artist.
Scenes of daily life and stories of the struggle were depicted by many artists, such as the primitive artist Theophilos.
After the liberation, the Great Powers (England, France and Russia) sent Otto (Otho) the second son of King Ludwig I of Bavaria, to be the new country’s king. He was 17. Needless to say, the politics and jockeying for position of the various factions were too complicated to go into here.
Otto declared Athens his capital and brought over a team of German architects to transform what was but a village at the foot of the Acropolis into a city. These neoclassical buildings remain the most beautiful in the city today.
Construction under way
As well as telling the fascinating story of the formation of a modern state out of nothing, the exhibition also, in my opinion, sheds light on many aspects of today’s Greece: it is a very young country still, built upon shaky foundations. Its continued dependence upon the invaluable help of the Allies—England, France and Russia—and the resulting geopolitical manoeuvring as well as the usual internal conflicts had repercussions which still wield their influence today.