Inktober 2019


Two years ago I wrote about Inktober, an Instagram challenge where people have to post a daily ink drawing. There is a list of daily prompts, which are in no way obligatory, and any ink medium goes: fountain pen, biro, brush, micro liner, dip pen. You can add watercolor, collage or anything else. There are no rules and no prizes – it’s a fun thing.

I have never yet managed to post something on all the days, and I’m only intermittently inspired by the prompts, but I always determine to take part, because I enjoy the whole camaraderie going on. It pushes me to experiment, and I always feel I’ll do better next year. At the end of the month I’ll share some of my masterpieces with you, but meanwhile, I would like to present some exceptional artists and illustrators, who mostly follow the prompts with humor and imagination. I’ve noted the particular prompt for each drawing.
So, without further delay, here are:
The incomparable Nina and her stripey men. Prompt: Enchanted.
Simon Curd whose small monsters come with a little poem each day. Prompt:Swing
Kate Richardson with more monsters, happy ones. Prompt: Swing
Monica Rathke at Whosebirthdayisit. Prompt: Husky
David Bülow at bulow_ink with his architectural perspectives. Prompt: Bait
And for something a little more gothic, Aleks Klepnev. No prompt. 

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Click on the URLs if you want to see more of each – definitely worth it, and a fun way to pass the time on a Sunday afternoon. There are many others to be found, some follow prompts and some not, but it’s always fascinating to see the different reactions people have to the same prompt.

More Gormley

The British sculptor Anthony Gormley seems to be everywhere these days. Sadly, I never managed to get to Delos to see his fantastic installation (for those who missed my post on this, you can find it here), because Delos is not easy to access. However, I took the opportunity to see his lovely exhibition at the Royal Academy  in London.

 

 

There were many of his ubiquitous depictions of the human body in various forms:

 

 

Some upside down

 

 

Walking on the ceiling.

 

 

But also some large and impressive installations:

 

Visitors were invited to walk through this one.

The one below looked like an alien vessel – an impressive 6 tons of steel rods suspended from the ceiling, dwarfing the people  beneath.

 

 

 

You could also walk through this next one, via the rectangular opening leading into a narrow steel tunnel, in almost total darkness – if you weren’t claustrophobic, that is.

 

 

But I mostly loved its architectural shapes, framed by the arched doorway.

 

 

 

Another installation featured a room flooded with Atlantic seawater on a bed of clay from Buckinghamshire. In general, the installations were  site-specific, fitting beautifully into the shape of each room.

 

 

Wall art included the work below, made with clay on a blanket, which had a fleeting, haunting aura.

 

 

The one below was not one of my favorites, but intriguing nonetheless, since it was made out of slices of bread dipped in wax:

 

 

 

Finally, for someone like me who loves works on paper, there was an abundance of treasures on offer, including a multitude of small spiral notebooks where Gormley recorded his ideas (these proved impossible to photograph, since they were presented in glass cases).

 

 

 

These drawings were made with charcoal and casein.

 

 

Deceptively simple,

 

 

But very evocative.

 

 

And there was a whole, luminous series made with earth mixed with linseed oil.

 

 

I came away most inspired.

 

 

Highly recommended, if you’re anywhere nearby.

 

SIGHT: Anthony Gormley on Delos

In the centre of the Cyclades archipelago, near the famous island of Mykonos, a small, uninhabited island rises out of the turquoise sea. This is Delos, barely 5km long by 1.5km wide, treeless and bare, and so small that in the heat of summer it almost vanishes in the haze. Amazingly, it is one of the most important mythological, historical, and archaeological sites in Greece.

 

It was on this island that, according to myth, Apollo, the god of light, and his twin sister Artemis, the moon goddess, were born. And it was here that, in the 9th century BC, one of the greatest sanctuaries evolved. Later still, the Cycladic island became a commercial centre, teeming with merchants and slaves.

Because the island is frequented only by archaeologists and guards, the magnificent ruins have not had to bear the brunt of millions of visitors’ feet. This summer, this idyllic site has become the setting for an ambitious and exciting project, connecting the ancient with the contemporary. Besides the Greek authorities, the main players in this experiment are NEON, a nonprofit organization that works to bring contemporary culture closer to the public, and the British sculptor Sir Anthony Gormley.

 

 

Anthony Gormley, born in 1950, has won the Turner prize amongst many other awards, and is best know for his statue Angel of the North.

For Delos, the artist created 29 iron “bodyforms”, several cast from his own body, that are the first artworks to be installed on Delos since the outpost was inhabited more than 5,000 years ago.

 

 

 

One of these sculptures  greets visitors before they even alight from the ferries that shuttle daily from Mykonos—a lone, eerie figure, standing on a rock at the water’s edge, gazing at the horizon.

 

 

 

I hope I can manage to visit the installation sometime this summer but, since I cannot yet report on it personally, I include a small extract from the NEON catalogue:

Two more works from the same series – also looking towards the distant horizon – stand on Plakes Peak and on Mount Kynthos, and another similar work stands in the waters of the harbour. Further sculptures are integrated with archaeological sites across the island, from the Stadium to the Τheatre district and from the merchant stores to the Museum site.
Visitors to Delos are invited to connect with time, space and nature, which inevitably link to our shared future.
SIGHT is organized and commissioned by NEON and presented in collaboration with the Ephorate of Antiquities of Cyclades.’

 

 

 

Definitely worth a visit, if anyone is near the area.

Photos: Google

The Greek Freak wins again

For those of you who read my post, From Sepolia to the NBA (here), the Greek basketball player Giannis Antetokounmpo has won NBA Most Valuable Player of 2019. Someone whose parents were Nigerian immigrants and who, as a child, helped his family out by hawking stuff on street corners, has gone from strength to strength through talent, willpower and hard work. At the age of 24, he helped his team, the Milwaukee Bucks, win 60 games this season. He is the second Bucks player, after Kareem Abdul-Jabbar, to win this supreme accolade, and only the third non-American to do so. Watch his emotional acceptance speech below.

 

 

 

Giannis is hugely popular in Greece, where fans stay up at night to watch his matches from across the world. He is proudly referred to as Greek in the press, and has represented his country on several occasions. He is constantly lauding Greece and saying how grateful he is for the chances he got, although he did not get official papers until he was 18. It makes you wonder, what would have become of him, if he’d been stuck in one of those infamous refugee camps…

Athens Open Air Film Festival

When we were kids, we couldn’t wait for summer to come so we could frequent the local θερινό, or open air cinema. We were allowed to go on our bikes, we bought paper cones of passatembos (pumpkin seeds) to munch on, and watched old movies—faded Louis de Funés  comedies, old Greek films in black and white—while sitting on rickety canvas chairs, surrounded by jasmin and bougainvillea. If our parents came along, we could hope for ice cream or a late dinner of souvlakia (kebabs) at the neighborhood taverna.

Nowadays, this summer outing is as popular as ever, but with added levels of comfort. Better chairs, little tables where you can set your drink, a proper canteen dispensing cold beer and soft drinks, popcorn, nachos, hot dogs and the like. And all the latest films.

 

AOAFF20 Romaiki Agora / Thalia Galanopoulou

 

Not many countries have open air cinemas, either because the weather cannot be relied upon, or because it doesn’t get dark until too late. In Greece, there’s one in most neighborhoods (islands included) with an affordable ticket price. As an activity for a warm summer’s night, it doesn’t get much better than this.

For the past nine years, Athens has gone one better, and organizes an Open Air Film Festival, that aims to link the discovery of films with that of different, possibly unknown, corners of the city. Big screens are erected in well known locations as well as unexpected places in the urban landscape, such as archaeological sites, squares, parks and pedestrian areas. The list of films includes timeless classics, indies and blockbusters, but there will also be concerts, short film premieres and other events.

 

 

The festival is aimed at both locals and tourists, and the events are free of charge. This year it started on June 5th with a screening of Fellini’s AMARCORD at the Roman Agora, and will end on August 28 with Terry Gillian’s BRAZIL at the Kolonos Theatre. For those of you in Greece, the program can easily be found online. Enjoy!

 

A Greek filmmaker wins at Cannes

At the Cannes Festival on Saturday, Greek filmmaker Vasilis Kekatos won the Palme d’Or for the best short film with “The Distance Between Heaven and Us.”
He is the first Greek director to ever win a Palme d’Or in this category.
The film was selected out of a short list of 11, from 4.240 worldwide submissions for the coveted prize. It is about two strangers meeting late at night in a deserted gas station on the old Greek National Road. One has stopped to fill up his motorbike, while the other is stranded there, lacking the 22.50 euros he needs to get home. A sum that equals the distance separating them from the sky.

 

 

Born on the island of Kefalonia in 1991, Vasilis Kekatos is a graduate student of the film department of Brunel University’s School of Arts, in London.
In 2016, he won Sundance Ignite “What’s Next?” Short Film Challenge and received a mentorship from Sundance Institute, with his short “Zero Star Hotel.”
In 2017, he participated in Euro Connection in Clermont-Ferrand ISFF, as well as in Nisi Masa ESP, with the script of his short, “The Silence of the Dying Fish.”
“The Distance Between Heaven and Us” had its world premiere at the Locarno Film Festival 2018. It has also been selected in other international film festivals, such as ZINEBI and Aix-En-Provence, and has won several awards.

 

 

Kekatos got his inspiration for the film on a road trip he took in America, when he went to attend the Sundance Festival. The endless highways, the gas stations in the middle of nowhere, made an ‘almost metaphysical’ impression upon him. Looking to the future, he feels he’s ready to tackle full length films now, although he’s still only 28. The Palme D’or has given him the confidence to do so. You can watch a trailer here

I.M.Pei dies

The most widely known of architect I. M. Pei’s designs has to be the metal-and glass pyramid dominating the main courtyard of the Louvre Museum in Paris. When completed in 1989 it was widely criticized, but today it is as much a symbol and an icon as the Eiffel Tower.

 

 

I. M. Pei has died, aged 102. He is widely considered to be one of the most influential architects of all times, and during his career won nearly every major award in his field.

 

(Photo by Michael N. Todaro/FilmMagic)

 

I.M. Pei was born in Guangzhou, China, in 1917 to a banker father and artistic mother. He grew up in Hong Kong and Shanghai before moving to the United States at age 17 to enroll in architecture school. After graduating from the Massachusetts Institute of Technology, Pei attended Harvard’s famed Graduate School of Design, where he studied with Bauhaus master Walter Gropius.

Pei loved to research his projects thoroughly, and to allow himself the freedom to experiment with different ideas and materials. He did not like his work to be stylistically ‘stamped’, although he did focus on simplicity, transparency, geometry and light.

 

The Bank of China Tower in Central Hong Kong.. (Photo by Gerhard Joren/LightRocket via Getty Images)

 

Even after retiring from his full-time architectural practice, Pei continued to work into his 80s, creating some of his most memorable projects in that time, such as the Museum of Islamic Art in Doha, Qatar, below, which was completed in 2008.

 

Via his spectacular buildings, he leaves behind a rich legacy in modern design.