On this last day of May I am shocked and saddened by the events in America. Living through a worldwide pandemic was supposed to make us kinder to one another. But, sadly, human nature does not change.
George Floyd was killed by a man who did not even mind being filmed while doing it. He has two kids at home. He was not armed, and there was no proof he’d done something wrong.
I remember reading a post on the blog of a virtual friend who has an autistic son. He’s doing well, but what happens when he’s old enough to start going out on his own? Where she lives in America autistic people carry a medical card, which explains why sometimes their behavior can seem unpredictable, or even aggressive—especially when challenged, or scared. Well, her fear is, that if her son is stopped by the police and he puts his hand in his pocket to get his card, he could be shot. Just because he’s black.
To me, this beggars belief. I am so lucky to have lived, and live, in places where you can walk the streets more or less safely. We do take a lot for granted. And we must take a stand against this kind of cruelty.
All the pictures are imaginary portraits by the wonderful British artist Lynette Yadom-Boakye.
Throwback Thursday and time for some armchair traveling, for want of the real thing. I thought some of the newer readers would enjoy an account of this road trip taken in 2015, to the magical site of Meteora.
Taking advantage of the brilliant weather, we headed out for an overnight excursion. Our destination: Metéora, the largest complex of Orthodox monasteries in Greece, outside of Mount Athos.
The monasteries are built atop almost inaccessible sandstone peaks, at the northwestern edge of the Plain of Thessaly near the Pineios River and Pindos Mountain, in central Greece.
Monks settled on these ‘columns of the sky‘ from the 11th century onwards. Twenty-four monasteries were built, despite incredible difficulties, at the time of the great revival of the eremitic ideal in the 15th century. Today there are six left.
To break up the four-hour journey, we stopped for a snack in the town of Domokos. The crisis is apparent here as well, with a lot of empty shops in the central street. An abrasive woman in a red pickup honked as we tried to park the car. The taverna…
I don’t want this blog to be fielding a constant stream of obituaries, but I was sad to learn of the passing of SusanRothenberg, an artist who’s been a great inspiration to me.
Born in 1945 in Buffalo, New York, Susan Rothenberg was a pioneer, in that her figurative paintings of the ‘70s were in direct opposition to the Minimalist abstract art that was in vogue in the New York art world at the time.
The paintings she mostly became known for were those featuring horses. Rothenberg depicted equine forms in a pared down style, against monochrome, vacant backgrounds. Sometimes, the horses were bisected; at others, they were contained within uneven geometrical forms. They usually appear alone, or in pairs. “The horse was a way of not doing people, yet it was a symbol of people, a self-portrait, really,” Rothenberg once said.
After the horses, Rothenberg moved on to painting disembodied heads and hands, and various objects.
At times, the images border on the surrealist, such as her improbable 1985 portrait of Piet Mondrian dancing in diffuse golden light, below.
In 1989, Rothenberg married conceptual artist Bruce Nauman and moved with him to a 750-acre ranch in Galisteo, New Mexico, near where Georgia O’Keeffe and Agnes Martin also lived and worked. They spent a lot of time in non-art-related activities, like horseback riding, walking the dogs, feeding the chickens, and were refreshingly uninterested in what was going on in the art world.
Rothemberg, in her own words: “I just don’t think there’s much stuff going on of the kind that I’m interested in, which is really just about painting. It’s not about issues, it’s not about politics, it’s not about process, it’s not about technology. I’m just a painter.” Her recent work featured subjects including the inside of her studio and the natural surroundings by her home, using “dirtied-down” colors and thick, gestural painted surfaces to reflect the topography of the region.
It seems the Mediterranean is now full of ‘alien’ fish, which decided to emigrate to better seas, and so swam there from the Indian Ocean via the Suez Canal.
They have thrived to the extent they are now threatening the eco-system, being both prolific breeders and aggressive towards native species; but they are already too numerous to eradicate. So, what is the next best solution? Why, eating them of course, and thus killing two birds (fish?) with one stone: hopefully equilibrium will be established, while at the same time we can complement our calamari with rabbitfish, trumpetfish and lionfish.
At least this is the original idea of Greek conservationists, who have come up with a cookbook of recipes, so that tourists can be encouraged to try these new species. ‘Recipes for Edible Alien Species’ is published by two conservation organizations, the Cyclades Preservation Fund and iSea.
In the book, written in both Greek and English, Greek chefs have paired these species with classic Mediterranean ingredients like olive oil, garlic, tomatoes and parsley. While it doesn’t have the glamour of a Nigella cookbook, the recipes sound delicious: it would probably be a good idea to take some good photos of the finished dishes and post them on Instagram. You can find the cookbook here
Tempting locals and tourists to eat the invaders will help the environment, but also fishermen to make a living. A campaign called Pick the Alien, launched in a few islands such as Santorini, Amorgos, and Zakynthos, aims to encourage people to choose these fish on the menu of their favorite fish taverna.
Would I try them? Of course. I’m always in favour of new tastes, as long as it’s not fried insects or monkey brains, even if the former are also touted as a help for the environment.
A murmur of male voices penetrated my subconscious in the morning. A row of men wearing expressions of ill-concealed curiosity gazed in the direction of my sleeping bag. A ferocious glare from Khudadad had them gathering up their belongings and murmuring goodbyes as they hurriedly left the room. The cook, in a grease spattered apron, was busy at his stove, for some reason situated on the veranda overlooking the street. Breakfast smelt good.
Through an inch deep layer of oil I recognised a fried egg, under which was a kind of meat stew layered with slices of fried tomatoes. Scooping up some of this mess with a piece of fresh, warm nan I tasted cautiously. It was delicious. Cholesterol and calorie laden as any cooked breakfast should be, by the time I had mopped clean the dish with a final piece of…
I have a feeling that traveling for pleasure will not be possible for the foreseeable future, because, even if it is allowed, who wants to spend a couple of weeks in quarantine upon arrival, or be unsure of being able to return home? Therefore, now’s the time to turn to the inexhaustible pleasures of literature, in order to visit places one would love to explore—or, even better, places where one wouldn’t dream of setting foot in, except from the comfort of an armchair. I know that nowadays you can see everything live on a screen: endless documentaries, some absolutely marvelous (thanks, David Attenborough—and again, some in places where you wouldn’t set foot in even if you were paid). Films set in exotic locations, YouTube videos, even Google Earth. You can go everywhere without leaving the house.
However, the attraction of reading is not to be underestimated: you have a more intimate insight into the writer’s reactions and thoughts, and your imagination is allowed a much freer rein. Travel writing has existed since the depths of time—for Greeks it probably started with Homer, the Odyssey being the primordial record of a sea voyage. And there are also the memoirs of Herodotus, who had traveled over almost all of the ‘known world.’ But if the Greeks have a healthy dose of seawater in their veins and have always been obsessive traders, no one can beat the English as far as exploration for its own sake goes (although they too were traders, of course.)
I have just finished Daughter of the Desert, the biography, by Georgina Howell, of Gertrude Bell, who thought nothing of traveling for 10 hours per day through the desert on a camel, dressed in a split skirt and a keffieh. Alone except for her servants. The sheer discomfort of her days bogles the mind until, that is, one reads of worse travails. At least Gertrude Bell could rely on a nice bath upon setting up camp, in her custom-made canvas bath packed by her servants and carried by the camels in her caravan. This was usually followed by dinner served on white linen, with silver and crystal. She also had trunks full of evening gowns which she wore to visit the tribal sheiks she met on her travels.
Apsley Cherry-Garrard was 24 when he signed up to join Robert Falcon Scott’s ill-fated Polar expedition in the Antarctic, in 1911. When he got back he went off to fight in the Great War. Years later, he wrote a memoir of this unforgettable voyage, called The Worst Journey in the World. During the whole expedition, the discomforts and privations the men suffered were unimaginable—they had decided to take ponies and, when these were impractical, they manhauled their sledges—but they still managed to enjoy the stunning scenery, and ‘geologise’ by gathering rock and mineral specimens which only added to the weight they had to pull— and they even packed Christmas puddings and books to read in the interminable Antarctic winter.
The ‘Worst Journey’ in the book’s title refers to a trip Cherry-Garrard made with two companions to Cape Crozier on Ross Island during the austral winter, in order to bring back an unhatched emperor penguin egg. This was to help scientists prove the evolutionary link between all birds and their reptile predecessors by the analysis of the embryo. However, in the book he describes the whole Scott voyage, from the meticulous preparations onwards, ending with his thoughts of why the expedition failed. The Brits were pipped at the post by the Norwegian Roald Amundsen, who shunned any scientific pretensions and relied on dogs and skis to arrive at the South Pole a month earlier, traveling light and fast. A compelling and thrilling account of a different reality.
Another fascinating book on my short list is In Patagonia, by the inveterate traveler Bruce Chatwin. Patagonia is one of the most remote and beautiful places on the planet. Chatwin paints a lovely picture of the boundless scale of the landscape and the lost specks of astonishing human endeavour in this vast, lonely region. But most of all, he peoples his tales with a varied and astounding cast of wild and eccentric, if not downright crazy, characters, who were attracted from all over the world to this stark and unforgiving land. He is most interested in describing what he used to call internal landscapes.
Bruce Chatwin wrote the introduction to Sybille Bedford’s book, A visit to Don Otavio, a splendidly humorous tale of two middle-aged ladies traveling in Mexico (see the cover in the first photo). A little old fashioned but delightfully irreverent, the book reads more like a novel. Bedford’s prose is dazzling, and her insights enchanting. As she herself said, ‘Of course it’s a novel. I wanted to make something light and poetic…I didn’t take a single note when I was in Mexico.’
And, last but not least, a book I keep giving to people as a gift, because of how much it amused me (I’ve no idea whether any of them read it, actually.) At the Tomb of the Inflatable Pig, by John Gimlette, (even the title is delightfully eccentric) is a book about his travels in Paraguay. A beautiful and captivating country, one of the most exotic and extreme in South America, but not a place for the timid tourist. According to Gimlette, the place is teeming with dictators, ex Nazis, fraudsters and missionaries. It is a stage for utopian experiments and violent coups. As the Amazon synopsis describes it, ‘The beguiling Paraguayans, despised and feared by their neighbours, are unfathomable. They adore Diana, Princess of Wales, as if she were still alive and hundreds volunteered to fight for Britain in the Falklands War. Their politics are Byzantine but when the Vice-President is murdered, they call in Scotland Yard.’
If any one of these books does not transport you out of lockdown for a few hours, I will eat my hat. Happy reading!
Some time ago, an elderly man with dementia wandered out of his house in Montauk, Long Island. After a three-week search, he was found dead in the woods, a fitting end for someone who loved nature as he did. The man was Peter Beard, 82, photographer and artist by profession, adventurer and playboy by nature.
In 1996, I came by chance upon his exhibition Carnets Africains, at the Centre National de la Photographie, in Paris. His works entranced me: huge photos of wildlife, in black and white, embellished all around with smaller pictures, ink drawings, diary and sketchbook pages, magazine cuttings, dried leaves, ticket stubs. Sometimes he’d drawn or scribbled over the central picture itself, with red or black ink, or colors. Each work was a whole, sometimes heart-rending, world into which you entered and wandered about. The artist himself was there in the gallery, walking around with a cane, since he was recovering from having been trampled by an elephant.
Born into wealth and privilege in New York, Peter Beard was possessed of an artist’s eye and a love of animals from a young age. He found fame as a photographer of African wildlife and of beautiful women, and also as a diarist and collagist of rare insight.
As a young man, Beard fell in love with Kenya where he’d travelled after being inspired by the book ‘Out of Africa’. He eventually bought a property named Hog Ranch, next to the estate of its author, Karen Blixen (pen name Isak Dinesen). He photographed the plight of elephants and other wildlife at Tsavo National Park, eventually producing a book called The End of the Game. In the second edition, he documented a massive population die-off in Tsavo of 35,000 elephants and 5,000 rhinos as the animals succumbed to starvation, stress and density related diseases.
His main area of focus, and great cause of sadness, was mankind’s negative impact on the natural world. In his own words: “The beautiful play period has come to an end. Millions of years of evolutionary processes have been destroyed in the blink of an eye.”
Beard spent decades photographing Africa and its creatures, but he was a man of extremes: swimming in croc-infested waters one day, painted by Francis Bacon the next. Because he was also a bon vivant, party animal, and lover of beautiful women, befriending and photographing a wide range of celebrities and icons. He became well known for his hedonistic and flamboyant playboy lifestyle. Bob Colacello of Vanity Fair famously described him as: “half Tarzan, half Byron.”
For twenty years, from the mid-60s to the mid-80s, Peter Beard was the Golden Child of New York. He knew everyone and was friends with the likes of Jackie Kennedy, Francis Bacon, Mick Jagger, Truman Capote and Andy Warhol. He partied with models at Studio 54, and partook of any recreational substance available. However, he was liked and respected by all, because he was good-hearted and never put on airs.
Beard was married three times, first to socialite heiress Minnie Cushing, then briefly to model Cheryl Tiegs, and thirdly to Afgan-born Nedjma, who survives him with their daughter, Zara.
His charmed life, however, suffered some serious reversals: he barely survived the encounter with the elephant, which left him with some serious injuries. Also in 1977 his house in Montauk burned to the ground, and with it it thousands of photos, a processing lab, a 20-year scrapbook diary, and more. Despite the huge financial loss, what hurt him most was the loss of the irreplaceable scrapbooks.
By the 1970s, Beard had created a unique series of artworks by combining photographs, text from his daily journals and various found objects such as dried leaves, insects and newspaper cuttings, and sometimes animal blood, or even his own. This body of work is his legacy: a far-sighted and deep commitment to the cause of reversing, or at least halting, an African ecological catastrophe. In the course of a Vanity Fair interview, he once declared: “We’re in deep shit.” And indeed, unfortunately he’s being proved right.