Kites and art

In Greece, this is the last weekend of Carnival, and little kids are roaming the streets dressed in those ghastly plastic Superman costumes with fake abs. This year, trending among little girls is ‘Policewoman’, complete with holster and gun (I found this vaguely disconcerting), closely followed by ‘Pocahontas’ and ‘Skeleton’.
The end of Carnival heralds Clean Monday, a day of flying kites and feasting on delicious seafood and other delicacies to mark the beginning of Lent. For those of you who missed it, I wrote about this holiday last year, and you can read the post here.

 

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Since I’ve been on a roll regarding Greek artists, I realized that the iconic images about Clean Monday and other holidays are often by Spyros Vassiliou ( Σπύρος Βασιλείου; 1903-1985), a Greek painter, printmaker, illustrator, and stage designer.

Vassiliou painted the objects that define special moments: the May wreath, the little table by the sea with its glasses of ouzo and plate of olives. And landscapes with fishing boats, and little white chapels, and the blue of the sky and sea.

 

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The townsmen of Galaxidi, where Vassiliou was born, collected money to send him to Athens in 1921, to study at the Athens School of Fine Arts under the famous painter Nikolaos Lytras.

Vassiliou started becoming recognized for his work in the 1930s, when he received the Benaki Prize from the Athens Academy. The recipient of a Guggenheim Prize for Greece (in 1960), his works have been exhibited in galleries throughout Europe, in the United States and in Canada.

 

 

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Spyros Vassiliou became recognized as a painter of the transformation of the modern urban environment, depicting with an unwavering eye the sprawl of urban development that surrounded his home in Athens, under the walls of the Parthenon. He combined monochrome backgrounds with the unorthodox positioning of objects, and paid homage to the Byzantine icon by floating symbols of everyday Greek life on washes of gold or sea-blue color, very much like the religious symbols that float on gold in religious art.

For many years, Vassiliou taught theatre, and designed sets and costumes for the stage. He also worked in film. During the years of the German occupation of Greece (1941-1945), when painting supplies were scarce, Vassiliou turned to engraving and woodcuts.

 

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I once visited Vassiliou in his studio, for a ‘lesson’; this was organized by a well-meaning friend of my parents who knew I loved to paint. Vassiliou was a tiny, rotund old man, and I was a hulking, awkward teenager who literally towered over him. He let me paint on one of his monochrome backgrounds – I had never painted in oils and produced an indifferent fish – but, although he was very amiable, I was too shy to pick his brains or even snoop around amongst his canvases and we did not establish a rapport. But he did ask me to visit a theatre where he was making the scenery for a play, and I have fond memories of both occasions.  I still have that small canvas with a boring fish on it somewhere.

 

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In dialogue with Zoi Pappa: ‘Artwork is an idea, a feeling, a knowledge’

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After my last post on ‘classic’ Greek artists Tsarouchis and Bokoros, here is a young, cutting-edge artist, Zoi Pappa, whom I discovered just now on the blog Art Scene Athens. I encourage those of you interested in art to browse through this blog, it has lovely articles including, lately, on Kounelis and Mytaras, two major Greek artists.

Art Scene Athens

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ZOI PAPPA has achieved what many young Greek artists are striving for these days: the growing appreciation and successful exhibiting of her work abroad. She just found out that she will be participating in the Arte Art Prize Laguna, taking place at the Arsenale of Venice (March 25 to April 9), about a month before the 57th Venice Biennale kicks off. A good time to be in Venice! Pappa’s Duchampian spirit also led her last year to be selected for the show ‘Bicycle Wheels – Homage to Duchamp’, in Italy’s Ortigia. Furthermore, this artist (whose work also features in the ‘Saatchi art’ online gallery), is a winner of international art prizes, a curator of controversial shows, and an artist with a dual identity. She is also an art teacher, and a mum.

In recent years, Pappa has managed to spread her wings and to exhibit her works in exciting shows…

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Two Greek artists at the Benaki Museum

The Benaki Museum in downtown Athens was an interesting destination last week since it concurrently held exhibitions of two major Greek artists.

 

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Yannis Tsarouchis was born Piraeus in 1910; he died in 1989 in Athens. The exhibition was curated on the occasion of the publication of a book on his life.

Tsarouchis studied at the Athens Academy of Fine Arts under the painters Vikatos and Parthenis and was initiated into Byzantine art by the famous hagiographist Kontoglou (1931-1934). Between the wars he travelled to Izmir, Istanbul, and Paris, where he became familiar with impressionism, cubism, and surrealism. He returned to Greece in 1940 and fought on the Albanian front.
Going into self-imposed exile with the advent of the Dictatorship in Greece, Tsarouchis lived in a small studio in Paris from 1967 to 1980. He met many artists, such as Giacometti, and was inspired by Courbet, Manet, Matisse, and cubism. He combined these influences with the teaching of his Greek masters, Parthenis and Kontoglou, the Karagiozi shadow theatre, the Fayum portraits, and the work of the primitive painter Theofilos. The result is a richness of form and colour, with a focus on the human figure, and especially the male nude.

 

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Tsarouchis liked to paint men in uniform, especially sailors. He liked to paint them naked, and sometimes he gave them angels’ wings. He also liked to paint the neoclassical buildings of Athens, which are frequently portrayed as an autonomous presence, rather than as subsidiary narrative elements.

 

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Tsarouchis had a long collaboration with the well known gallery owner Iolas. He designed stage sets and costumes for the National Theatre, the Art Theatre, La Scala in Milan, the Dallas Opera, the Olimpico Theatre in Vicenza, and Covent Garden in London; and designed sets and costumes for films by Dassin and Kakoyannis. He also turned his attention to weaving, and illustrated a number of books (collections of poetry by Seferis, Elytis, and others). His style has influenced many Greek artists.

 

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Although much younger than Tsarouchis – he was born in 1956 – Christos Bokoros is perhaps the less modern of the two.

Bokoros studied law at the Democritus University of Thrace (1974-1979) and later he joined the Athens School of Fine Arts (1983-1989), where he studied painting under D. Mytaras.
At the beginning of his career he employed traditional painting techniques, and drew his subjects from everyday life. The most striking feature of his early works was the extremely accurate and persuasive depiction of the visible world, a characteristic that governs his entire oeuvre. With time, he introduced allegorical or symbolic content to the depiction of simple things, contemplating their connotations; he began to integrate miscellaneous materials in his work (mainly old pieces of wood), and to combine his paintings with three-dimensional constructions and installations.

 

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Bokoros loved the Greek countryside. He grew up far from the sea, in the tobacco fields of Agrinio, and was inspired by the earth and its produce: almond blossom, loaves of bread straight from the oven, rustling leaves and wild flowers.
He felt unable to identify with the major artworks he saw in foreign museums, and turned instead to the simple inspirations of provincial Greece.

 

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The key feature of his later oeuvre, i.e. the ritualistic repetition of certain motifs such as the flame, plays upon the correlation of the tangible with the intangible, the individual with the universal and the past with the present, sometimes interacting poetically and sometimes semantically.

 

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Like Tsarouchis, Bokoros also worked as stage designer, in theatrical productions of Greek plays (1995-2007).

He has presented his work in solo and group exhibitions in Greece and abroad, participating in international events, and he has been awarded many prizes.

 

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The visit ended with lunch in the museum’s cosy bar.

 

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More art, on the way to the car.

 

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A walk in the park

On a chilly, overcast morning we set out to visit the new jewel in the crown of Athens: the Stavros Niarchos Foundation Park and Cultural Centre. Athens, having grown exponentially and without proper planning in the last decades (a plan was made, but was ignored by successive governments for reasons I shall not go into here) is a city with the lowest per capita green space in Europe. The only relief is the easy access to the sea on all sides – otherwise it is drowning in urban concrete.
When the racecourse was moved from the bay of Phaliron to the town of Markopoulo on the occasion of the Athens Olympics, a large area was liberated. The Stavros Niarchos Foundation stepped in with a project, designed by the architectural firm Renzo Piano Building Workshop (RPBW), that includes the new facilities of the National Library of Greece, and of the Greek National Opera, as well as the Stavros Niarchos Park.

The Stavros Niarchos Foundation (www.SNF.org) is one of the world’s leading private international philanthropic organizations, making grants in the areas of arts and culture, education, health and sports, and social welfare.The SNF Cultural Center is the Foundation’s largest single gift, for a total budget of $867mil (€630mil). This huge investment is a testament and a commitment to the country’s future, and also hopes to be an engine of economic stimulus in the short and middle term.

 

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Although this is not the best season to visit gardens, it was immediately apparent that the whole park has been beautifully planted in a way that celebrates Greece’s horticultural tradition: the open, sunlit Mediterranean Garden.

 

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Each month is meant to bring a new color, and each season to introduce a different combination of flowers or foliage. Each visit should be a sensual pleasure, with the proliferation of evergreen and other endemic plants such as boxwood, coronilla, cistus, and lentisc, salvia, oregano, thyme, lavender, rosemary, roses and euphorbias.

 

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From the Mediterranean Garden, curving landscaped pathways wend their way up a gentle grade to the 32 m high summit of an artificial hill.  Beneath the earth is the building that houses the Library and Opera House, making the hill the green roof for the structure. One of the largest in Europe, the green roof significantly reduces air-conditioning requirements.

 

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Architect Renzo Piano envisaged the SNFCC rising out of the ground like a dislodged piece of the earth’s crust. Soaring 14 m above the summit, a 100m x 100m photovoltaic canopy extends outward from its perimeter. A marvel of engineering and construction, supported by 40 sinewy metal pillars, it will meet the buildings’ energetic needs, as well as making a fascinating addition to the city skyline.

 

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The summit offers spectacular 360-degree views of the sea to the west, the Acropolis to the east, and the cultural and educational park below. It certainly is breathtaking, although it did strike me how loud the traffic noise was, even up here!

 

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Berneath the green roof is the enormous Library, built on several levels around an open atrium.

 

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The shelves are still empty of books, but imagine when they are full! I loved the mobile suspended from the vertiginous ceiling.

 

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Cosy reading corners abound, and there are stands stacked with daily papers and magazines in different languages.

 

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Enormous windows flood the library with light.

 

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Walking out of the library, one comes out into the Agora, with its impressive water feature.

 

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This is a huge space, where a multitude of events can be staged.

 

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We did not visit the National Opera, because you can only go in if you join the guided tour, and they were fully booked. It is not totally operational, and has only staged a few experimental performances so far.

This is a huge undertaking and it is not entirely completed yet. One can only imagine how impressive it will be when it is functioning on all levels – mature gardens, well-stocked library shelves, a program of performances of all types. The only thing that worries me is that there is a plan for the complex to be donated to the Greek state in 2017 – in the present climate of disintegration, i wonder if it will be upkept and used to its full potential?

It remains to be seen. Meanwhile, for any of you planning a trip to Athens, be sure to add it to your list, together with the Acropolis Museum. Well worth a visit.

Stone Solitude

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I thought this was an interesting post from Debi at My Kitchen Witch. For anyone going to Naxos and/or interested in Greek antiquities

My Kitchen Witch

On a hillside on the northern coast of the Cycladic island of Naxos rests a blue grey marble colossus, rough hewn and almost complete. Sadly, something went wrong in the rough carving and he was abandoned in solitude. He has been resting here, set in his quarry bed for well over two and a half millennia.

Visitors come and go. I’ve seen early pre-19th century travel sketches and watercolours, old late-19th century black and white photographs, and many more recent tourist snaps of this giant unfinished statue.

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He is almost 11 metres in length. The Kouros of Apollonas (the ancient town nearby) was his original name. But in the mid-19th century he was identified as the Greek god Dionysus, so is now called the Colossus of Dionysus. Whatever his name, he perpetually lies in his stone bed gazing out to sea.

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Solitude: The Daily Post’s Weekly Photo Challenge.

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New-style Q&A – the multi-talented travel agent

After a break of a few months – I was not feeling inspired – I am resuming the interviews, but in a more free-form manner. I might include people living abroad, and perhaps modify the questions a little.

What better way to start than with the irrepressible Andonis Radistis, a free spirit and lover of adventure, who describes his life with such enthusiasm. In his own words, then:

 

Tell us a “little” about yourself (Andonis put the quotes around ‘little’)

Born and raised on the Greek island of Skopelos was both a blessing and a ‘curse’ for me. A blessing because there is nothing more beautiful and pure than growing up in one of the prettiest islands that Greece and the world has to offer. Having a carefree childhood without the pitfalls a child and then a teenager could be faced with when growing up in a city. Adjusting to each season on an island; from summer, (full of visitors, sun and the sea), to autumn and the winter, (dead quiet), makes you a stronger person.

A curse because there is something about the salty air on a Greek island. The never ending horizons and the many tales of adventures on raging seas. All this made me want to seek new worlds, people and challenges from an early age. I made a promise to myself to begin my journey and start quenching my thirst for the world as soon as I finished school.

Andonis's birthplace, Skopelos
Andonis’s birthplace, Skopelos

My adventures began with a road trip to the UK and a person I hugely admired. Ended up staying there for 5 years, studying and working to make ends meet. The US was next and the beginning of yet another exciting chapter in my life. This was my year out for work experience, as part of my degree. What an eye opener that was. I remember feeling like I stepped on a different planet, when I walked out of Logan Airport in Boston. Upon completing that year, and heading back to the UK, I remember making yet another promise to myself. I needed to return back there and live the American dream for longer.

The universe conspires to assist you when you really want to achieve something. 2 years later, I was on another plane and heading back to the US. A two year contract and a working visa, sent me to the American south. On a tiny dot of an island in the middle the Gulf of Mexico this time. This was an equally mind-blowing experience, both in terms of work as well as personally. I met some amazing people down there and will have fond memories that will last throughout my lifetime.

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It was brooding in my mind though. The idea of returning to Greece was getting overwhelming. During this time, I realised that no matter how good a time I was having I couldn’t be away from my beloved country. I even had a newborn nephew that I did not get to meet until he was 2 years old!

Once back in Greece, I enjoyed the rest of the summer before I headed straight into my Military Service, which got me into the Greek Navy for a year. A little older than most, I quite enjoyed the carefree year I had there. Try explaining US adventures to 18-19 yr olds: the great times I had in Key West and how it felt to be living in one of the most sought-after holiday resorts in the world. Clubbing, the night scenes of Miami and seeing the sun rise in a convertible while driving on the ‘7 Mile Bridge’. Needless to say, I was the ‘let’s have coffee and fascinate us with your experiences’ kind of guy. I really enjoyed that role for the year!

Straight after Navy duty, I headed to Athens to pursue my career in the Hotel Industry. Worked for a Multinational chain for about a year before I was asked to be one of the Executives in the Athens 2004 Olympic Games. Being part of the Torch Relay Team. I couldn’t say ‘no’ to this – it was my kind of challenge.

A few weeks later, I found myself organising exciting stuff for the Olympic Games. Locating and inspecting hotels all over Greece, in all the places the Olympic Flame had to stay the night. My team started the Games with the huge tour of the Torch Relay. We were on the road for almost 45 days. I will always remember the feeling of actually running with the flame myself and the goosebumps I got throughout the whole 500 meters I ran. The cheer from the crowds on the sides of the streets. The Opening Ceremony inside the Olympic Stadium, and how the flame was brought in and the ceremony started. Writing about it brings back those sacred moments I was privileged to have experienced.

The glory days passed much quicker than I thought. It was the 30th of September and the last day. Packing up the Athens 2004 Headquarters was an experience in itself. I felt a different person. All my colleagues felt the same. We had shared some amazing moments that would never be forgotten.

I didn’t let anyone discourage me those days with the stress of finding another job! I sent out a few CVs, attended a promising interview; 3 days later and by the end of the 1st week of October, I found working for a sweet boutique hotel in the north suburbs in Athens. I hadn’t even had time to fully rest.

 

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Fast forward to about 1 year later and another new beginning! Yes I know, I hadn’t grown tired of changes and challenges yet, (and not for many years more). I wanted to create my own business on my beloved island of Skopelos and live my own dream. Once back, I made my plans as carefully as I could, and 2 years later, we were opening the family business. Skopelos Country Villas was a dream come true. Comprising two self-catering Country Villas with private pools, idyllic location and breathtaking views, it meant holidays in Skopelos would create beautiful memories for many harsh winters ahead. We first operated in the summer of 2007 and hopefully we will still operate for many more years to come.

During that time I also worked in another hotel locally, and almost 4 full years went by where I practically did not set foot outside the island. Subconsciously, I was already making plans for another adventure by that time. I felt that I had finished the hard part of building the family business and since that part was over, I was left without something adventurous to do.

But, as they say, be careful of what you wish for! Life has an interesting way of granting you your wishes sometimes. A few months later I was on a plane heading somewhere I had never really thought of going, let alone live there.

My plane landed in the Middle East, (Jeddah in Saudi Arabia to be exact). I was literally embarking on a luxurious motor yacht for an experience that changed my life, (in a ‘fall flat on your face’ kind of way). I had a posh title and was in charge of Hotel Operations & Provisions – everything looked promising. This place is ideal for those seeking to redefine their life values. Mine were re-evaluated in many ways and made me appreciate life even more. My experience there lasted for almost 2 years. Travelling with a multitude of personalities on board to cosmopolitan and high end places in the Med, was something to remember. Going back at the end of each travelling season to the harsh reality of the Middle East was certainly overwhelming to say the least.

Working aboard floating palaces, the endurance and self perseverance that one has to discover and unleash somehow, are vital. The fact that the work was at sea, where totally different elements of survival play a key role in everyday life, was another matter.

Then, after another stint in Athens and one more in the U.K., I ended up in Skopelos once again – back to safe grounds and familiar waters.

What were the major difficulties you’ve faced in the last five years?

As most people who live in this beautiful country, I’ve been hugely disappointed with its gigantic bureaucracy that has no end. The incredibly heavy taxation that was imposed overnight on small businesses and individuals which continues to increase without any viable strategy. The decimating of entrepreneurship and how unsupportive the government is of young people who want to start a business of any kind. Seeing my parents’ pensions cut down drastically without any logic whatsoever. Feeling massively frustrated every time I try to use any public service to do anything bureaucratic.

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Did anyone in particular inspire you or help you?

I was extremely lucky to have met some pretty amazing people from quite an early stage in my life. These people I met either came into my life for a reason, a lifetime or both. They are the people I call my ‘stepping stones’.
Apart from my family (my parents and my three sisters), who needless to say supported and helped me every step of the way, these people came into my life and ‘pushed’ me forward in ways I hadn’t at the time thought of. They inspired me to think outside the box. They encourage me to take the next step forward. A few have passed on to the next realm, and are carrying on the inspiration, (like Sara and Terry), others I’m lucky to still have around, (like Eileen). They have shaped my past and will continue to shape my future, (like Madge and Toula).

All of these amazing people laid down ‘stepping stones’ along my path and helped me either in my career, my personal life and sometimes both. Has anyone else noticed they are all female? 🙂

What are your hopes/plans for the future?

I would really love to see my new venture, The Travelling Cookie, take off, so I can stand back some years from now and be proud that I helped travellers visit our beautiful country. I am also hoping that I can offer some great trips to Greeks, to visit other, favourite parts of the globe, (like the US).
In addition, I would like our family business, (Skopelos Country Villas), to continue being successful and have guests exploring this small paradise!
I would also like to stand back and say how I have now conquered the world and travelled to roads less travelled around the globe! I guess part of the reason for starting The Travelling Cookie was so that I could also help myself as well as others travel more.
Additionally, I have a new project in the works, SITEnDESIGN , to express my love for web design. An avid supporter and contributor of the WordPress Content Management System I started learning and experimenting with this ultimate web design and development tool in order to rebuilt the family business website. I never looked back since, and have built a number of websites, both for personal use, (my website), as well as for business use.

 

Why leave this?
Why leave this?

Have you considered leaving? If so, where would you like to go, and why?

Leaving? My God, do I need to leave again? No thank you! I think I did my fair bit of leaving during the past 20 years of my life 🙂 After all this, I can safely say that no matter where I’ve been or may one day go again, (perhaps), I could never be far from Greece, the sweetest of all countries, (for me anyway), for more than half a year.
Despite all the difficulties, frustrations, disappointments, uncertainties! Despite everything that is going on or may still happen to us in the future, no one can steal this beautiful, eternal light. The light that makes us shine from within and gives us strength to continue.

Are you actively doing anything to help with the situation? Is there something you would like to do?

I would like to think that I am promoting Greece through The Travelling Cookie, my newly opened, Online Travel Agency. In collaboration with 3 big Travel Companies in the UK, (The Travel Network Group, Independent Travel Experts and Travel Trust Association), I am actively promoting Greece as The Destination, especially for UK and USA travellers looking for summer holidays.
Although The Travelling Cookie is still in its infancy stage, I have hopes that it will grow and be able to eventually stand tall and promote Greece in a wider market segment. Focusing on Personalised Services, (having such a huge hotel background will definitely help on this), I strive to provide excellent customer service throughout the trip planning process.

How do you see Greece in 5, 10 years?

I don’t think that there are many people that have this kind of foresight for Greece. Being an optimist of course, I would like to think that a huge change will take place in the political stage. I would love to see capable leaders take over. Leaders that will primarily care for Greece and its people – not just for banks and the imposing of new austerity measures.
Leaders that will be able to stand tall and defend the country, not surrender it to money-lending sharks who ruthlessly keep asking for more and more!

How do you cope with obstacles and frustrations in your everyday life ?

To survive in Greece nowadays you have to be resourceful, (although resourcefulness is a great trait to have anyway). I tend not too get too discouraged by bureaucratic obstacles that much, and when I do let frustration take over, I just leave my ideas aside and try again in a couple of months/years.

I also try to find ways around whatever it is I’m after – see if a similar, plan B can work for me. Then, there is a great saying too: ’Things happen or not, for a reason’’…so if I’m faced with too many frustrations/obstacles, maybe my plan is not meant to be. At least not for the time being!

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So, if you’re thinking of a Greek vacation, or if you want to explore Europe, the US or anywhere else, Andonis has the resources to make it happen for you!

4.1 miles

I know I keep harping on about the refugee crisis – most of you must be heartily sick of me by now. But it is something that I don’t feel the world as a whole can ignore – and not only in reference to the humanitarian aspect, but because it is a problem that, give the present situation, we will all have to face in the future, one way or another. And I don’t believe building fences everywhere is a solution.

4.1 miles is a short documentary made by Daphne Matziaraki, a Greek filmmaker who lives and works in the San Francisco Bay Area. ‘4.1 miles’ refers to the distance between Turkey and the island of Lesvos, where she followed a coast guard captain for three weeks as he pulled family after family, child after child, from the ocean and saved their lives. All the events in this film were shot on a single day, October 28, 2015. Two additional rescues happened that same day but were not included.

She says: ‘The Greek Coast Guard, especially when I was there, has been completely unprepared to deal with the constant flow of rescues necessary to save refugees from drowning as they attempt to cross to Europe from Turkey. When I was there filming, Lesbos had about 40 local coast guard officers, who before the refugee crisis generally spent their time conducting routine border patrols. Most didn’t have CPR training. Their vessels didn’t have thermal cameras or any equipment necessary for tremendous emergencies.

Suddenly, the crew was charged with keeping the small bit of water they patrolled from becoming a mass grave. Each day, thousands of refugees crossed the water on tiny, dangerous inflatable rafts. Most of the passengers, sometimes including whoever was operating the boat, had never seen the sea. Often a motor would stall and passengers would be stranded for hours, floating tenuously on a cold, volatile sea. Or the bottom of a dinghy would simply tear away and all the passengers would be cast into the water. The coast guard felt completely abandoned, they told me, as if the world had left them to handle a huge humanitarian crisis — or allow thousands to drown offshore.’ (Excerpt taken from a NYT article, sept 28, 2016.)

 

Kyriakos Papadopoulos, coast guard captain on the island of Lesvos, who rescued countless refugees from drowning

To watch the video, click below:

https://static01.nyt.com/video/players/offsite/index.html?videoId=100000004674545

The coast guard captain in question is Kyriakos Papadopoulos (photo above), a naval officer who, after working on freight ships for a few years, decided to come back and settle on his beloved island of Lesvos, where he dreamed of a quiet life. Little was he to imagine what was in store for him and his crew, on the by now legendary coast guard launch “602”.
The first sea rescue in Lesvos took place in September 2001, when they picked up ten Afghans off the coast. This became the talk of the island. The war in Syria changed all that. In 2014 around 50-100 people washed up on the island daily; and, by the beginning of 2015, this number had risen to thousands every day. More than half of the one million refugees who arrived in Greece that year came to Lesvos, and most of those were picked up by Kyriakos’s boat.

Usually, rescues take place in bad weather conditions. Kyriakos says: ‘We come upon boats that are half sunk – we know we need to act fast, people can drown before our eyes. We need to pull around 60 people into our boat in less than five minutes. It’s a huge responsibility.’ Psychologically, this is tough, and has taken a toll on him and his crew. Kyriakos has two daughters, aged 15 and 7,5. At sea, he sees their faces in the faces of the children who lift up their arms to be saved. ‘You can never get used to this. However, none of us has entertained the thought of giving up. Saving people gives us the strength to continue. Especially the smiles of the children, when they see us.’ (Translated from an article in Kathimerini, January 28, 2017).

Kyriakos has been given an award for his work by the Academy of Athens, and the documentary has been nominated for an Academy Award. What pleases him most, though, is the fact that through the screening of the documentary, his friends and family have seen for themselves what he and his crew are going through. Because they find it impossible to talk about this to anyone; they only discuss it amongst themselves, on the advice of psychiatrists – to exorcise the images they’ve had to witness. He also hopes the world will see the film, and offer some help.

I watched the film, and I warn you it is harrowing. An incongruous thought kept going through my mind: at least there are no killer sharks in Greek waters.