The Image of Greece

Fred Boissonnas (18 June 1858 – 17 October 1946), a Swiss photographer from Geneva, made several trips to Greece between 1903 and 1933, documenting all aspects of the country using notes, drawings and especially photographs. He published 14 photo albums dedicated to Greece, many of which belong to the thematic series entitled L’image de la Grèce (The Image of Greece). He travelled around the country, visiting archeological sites as well as remote villages—the first foreign photographer to do so. His aim was to contribute to the identity of Greece in Europe.

Parga, 1913


Boissonnas persuaded the Greek authorities that his photographs would enhance the country’s political, commercial and touristic image abroad.

 

Shepherds on Mount Parnassus, 1903


Looking at these pictures, one can be forgiven for asking, how?

 

 

Boissonnas being pulled up to a monastery in Meteora, by net.


Certainly, they are wonderful and picturesque daguerreotypes, but they portray a poor though beautiful country, where the traveler could hardly expect to find many comforts.

 

A street in Plaka, Athens
Market street, Andritsaina, 1903



Cities with roads still unpaved.

 

Metsovo, 1913

Barefoot village children.

 

View of the Parthenon, 1908



Unrestored antiquities.

Interior in Lakkoi, 1911

 

Village street in Elassona, 1903



Mostly small and unprepossessing houses.

The 17th-century bridge of Arta, to which an ancient legend is attached.



Because the photos are in black and white, they cannot show the pure blue skies, the sunny landscapes.

 

A courtyard in Akrata, 1903


The people in the photographs are unsmiling, being unused to posing, so the natural friendliness and hospitality of the Greeks is difficult to discern.

 

A wealthy man’s house in Kastoria, 1911


Also at the time people did not lounge on beaches in bikinis, getting a tan, so these are as far from contemporary travel photography as one can imagine.

Interior with loom, Andritsaina, 1903
A A celebration in Corfu, 1903


However, they are a document of those years, and as such fascinating. The clothes, the landscapes with few signs of human intervention, the simplicity of life.

 

Ermou Street, 1920. This is now one of the busiest shopping streets in downtown Athens. Note the Byzantine church of Kapnikarea at the end of the street.
A view of the Acropolis, with grazing sheep, 1903


At the time the photos did serve the purpose of promoting Greece to foreigners, and Boissonnas was financially aided and personally supported by prime minister Eleftherios Venizelos, to whom his publications were dedicated. These were sent to all Greek embassies and the prominent political personalities of the era.

 

 

Athens Anniversary

Exactly 185 years ago today, Athens was proclaimed the capital of Greece. I found this very interesting article by Greek journalist Philip Chrysopoulos in the GREEK REPORTER. As it was possible to reblog onto Twitter, Facebook and Pinterest, but not to WP, I copied it verbatim, including the photos.

 

September 18, 1834: Athens Becomes the Capital of Greece
By Philip Chrysopoulos -Sep 18, 2018

 

When Athens was officially declared the capital of the newly established Greek State on September 18, 1834, it was a small village of 7,000 residents living around the Acropolis Hill.

Following the assassination of Governor Ioannis Kapodistrias in the Peloponnesian city in 1831, Greece’s first politicians had to decide where the new government and first parliament would be established. At the time, Athens was an area of ancient, Byzantine and medieval ruins with makeshift houses around them, all around the Acropolis Hill.

The decision was far from easy. Personalities of the time, politicians, as well as architects and city planners took part in the debate, trying to influence developments and the final decision. The cities proposed were, among others, Corinth, Megara, Piraeus, Argos, as well as Nafplio again.

Eventually, Athens won the race and in September 18, 1834 it was officially proclaimed “Royal Seat and Capital”. The main reason was the city’s glorious history as the cradle of Hellenic Civilization. According to historians King of Bavaria Ludwig I was influential to the decision as he was a great admirer of ancient Greece.

Athens circa 1890

However, the city was not prepared to carry the weight of the capital of the new state. It was more of a town than a city, with 7,000 residents and 170 regular houses, as the remaining Athenians were living in huts. Furthermore, the battles that took place in Athens had left many ruins. By comparison, at the time, the population of Patras amounted to 15,000 thousand, while Thessaloniki had 60,000.

Athens stretched around the Acropolis (from Psiri to Makrygianni), having as its center the area of ​​Plaka (the Old Town). One of the major problems of the new capital was the lack of a water supply system, as well as the absence of public lighting and transport, while there was a complete lack of social services.

Greece’s first king, Otto of Bavaria, commissioned the reconstruction of the devastated city to Greek architect Stamatis Kleanthis and the Bavarian Leo von Klenze with a strict order not to damage the archaeological sites. For the protection of antiquities, Otto issued a decree prohibiting the construction of limestone at a distance of 2,500 meters from ancient Greek ruins, so that antiquities could not be damaged.

Within four years, about 1,000 houses were built in Athens, many of them makeshift, with no architectural or street plan. Otto banned quarrying in the hills of Nymphs, Achanthos (Strefi), Philopappou and Lycabettus and issued decrees with the strict order to immediately demolish every house built near archaeological sites and everything built on the outskirts of the Acropolis Hill.

The strict measures regarding building houses made Otto lose his popularity with the poor masses, but he insisted on issuing other decrees.

In the years to come, Athens became the pole of attraction for Greeks, who arrived in the capital from all parts of the country. In 1896, Greece hosted the first modern Olympic Games. By that time, the picture of the capital was radically changed. It had expanded and now was a city of 140,000 residents with great buildings and important archeological sites, and the commercial and cultural intellectual center of the country. A true capital.

Summer colors


I love this season, and can’t resist posting about it each year. The swallows have arrived, geckos are running up the walls. As everything is drying up, colors burst all around .

My agapanthus is out.

 

Oleander bushes are the best things to plant in Greece, since they don’t need water once they’ve had a good start in life. They can grow to be huge, and flower all summer long.

 

Bougainvillea – bright as flames.

 

Even roadside weeds are pretty.

 

And the figs are coming along nicely.

#ilovesummer

Catch a boat to an island

From most places in Europe, at least, Greece is a very accessible destination. A couple of hours on a plane (around four for the furthest countries) and you’re in Athens. Starting this month, there are even direct flights to some islands, such as Corfu and Crete.

 

June is an ideal month to visit: cool enough to wander about ancient sites, warm enough to swim. Still green, but with summer blossoms such as oleander and bougainvillea in full bloom. School’s not out yet, so it’s still pretty quiet and prices are lower than in the high season.

There are plenty of things to see and do in Athens itself, and there are many beautiful mainland sites worth a visit, such as the Meteora or Mycenae. However, one of the most fun things to do is catch a boat to an island.

 

Get a room by the beach.

 

Watch the sunset. Wispy clouds and lavender mountains.

 

Sit by an ancient olive tree.

 

Eat outdoors.

 

These pictures are from Thasos, a large, wooded island in the North Aegean. But with a couple of hundred inhabited islands to choose from, there’s something for every taste.

 

Gulls follow the boat.

 

 

Have I tempted you?

‘Estia’ means hearth

In Ancient Greek religion, Estia or Hestia (/ˈhɛstiə/; Greek: Ἑστία, “hearth” or “fireside”) is a virgin goddess of the hearth, architecture, and the right ordering of domesticity, the family, the home, and the state.

It was a difficult start to my road trip to the seaside town of Galaxidi. The rain poured down, washing out the view on all sides. A few bare branches were the only things visible as I tried to keep the car from aqua-planing on the turns. A two hour trip took a while longer but, as we emerged on the top of the mountains above Itea the sky cleared and a few rays of brilliant sunshine pierced the clouds.

 

 

The view towards Galaxidi

 

The charm of Galaxidi was restored, and so was my mood, over a cup of mountain tea taken at the hotel with some of the other visitors. We were all here for the annual cutting of the traditional vasilopitta at the Estia Agios Nikolaos, (https://www.estia-agios-nikolaos.org), a community where adults with special needs live, work and share their free time together with those caring for them. In this, Estia Agios Nikolaos is quite unique, and not only in Greece. It is also one of the few such communities worldwide which is not affiliated to one particular religious faith, and this inclusiveness is the main point of attraction for people all over the world who come to live and work here, making Estia a vibrant and exciting place.

 

Our b&b, the Hotel Nostos

Everyone had dinner together at a wonderful seaside taverna. I sat next to Clara (German, speaking fluent Greek) and Maxime (French, having just signed up for his second year, rapidly improving Greek), two vivacious and inspiring young people, who talked about their work with enthusiasm. Also present were numerous locals, such as the pharmacist who donates all meds for the community, and a lady who provides fish from her fish farm once a week. And, making a star appearance, was Estia’s first baby, Mia, born to a couple who work as carers – a source of endless fascination and delight for all.

Next morning, after a delicious breakfast of home-made delicacies and a walk in the port, we drove to Estia, where everyone was gathered in the assembly hall.

Music and songs. The man playing the trumpet is the Estia gardener.

The festivities started with a couple of songs  (this video might look as if it’s facing sideways, but it will right itself once you click it. The mysteries of technology…)

Then the cutting and sharing of the vasilopitta.

 

 

We visited the ceramics shop, where colorful creations were on offer.

 

The wonderful vegetable garden,

 

complete with scarecrow,

 

and free-range chickens.

 

And finally one of the four residences, which in total cater for 45 people, of whom 22 have special needs (at the moment there is space for two more.) In ‘Estia Agios Nikolaos’ all the members live in small family structures, which comprise 6-9 special needs guests, 2 to 3 professional caregivers and 2 to 3 volunteers.

 

 

The entrance with its cats and box of fresh home-grown veggies.

 

A cozy living area

 

Complete with music corner

 

Fireplace

 

A large dining table for communal meals

 

A lovely kitchen

 

And a well-stocked larder.

 

We went on to visit another building which is used for various activities, fronted by a shady terrace for barbecues and ad hoc concerts. This doubles as the Kafeneion (café), a gathering place for Sunday coffee with the locals and evening parties.

 

A brand new kitchen, designed by an architect friend and donated by IKEA (the floor had been freshly washed), will be used for the new bakery and pastry workshop.

 

And there is a loom for weaving

 

Maren, who is German, is responsible for one of the houses and took us on tour, while explaining that the residents really look forward to their activities each morning after breakfast: either working in the garden or in the pottery and jewelry workshops.

The afternoons are devoted to music, exercising, walking, and in the summertime, swimming in the sea nearby. Besides the staff, there are professionals (most of them on a volunteering basis) providing specific therapeutical activities such as art therapy, physiotherapy, gymnastics and music therapy.

During the weekends, individuals can choose the activities they would like to participate in. There are various artistic and spiritual pursuits on offer, in connection to the local communities, such as outings to musical events, theater and cinema, church attendance and participation in local celebrations. Every Sunday late afternoon, the entire community gathers in the Kafeneion for cake, music and games, often hosting visitors from the local community.

Each new resident is taken in for a month’s trial, to see how well he or she will fit in. Most adapt well, some don’t. After the extensive mutual screening there is a mandatory period of at least one month when the potential resident returns to his/ her home so that each side, resident, family and the Estia team can calmly make up its mind. Sometimes parents find they miss their child too much, and prefer to keep them at home.

Residents join in on outings and trips whenever possible and have even been abroad, which I found impressive, due to the logistic problems needing to be solved.

The cornerstone principle of ‘Estia Agios Nikolaos’ is that “each person is unique and can be helped to develop his or her unique capabilities in a nurturing environment via creative work, artistic stimuli and direct interaction with nature.” Efforts are made to treat each person as an individual – the girl who made a friend in town goes for sleepovers to her house and is allowed to invite her in turn, those who don’t like to sleep after lunch are not made to have a siesta, and so on. Such an anthropocentric approach is quite revolutionary in what remains, in essence, an institution.

 

The view from the entrance

Giovanna Kampouri, the president of the foundation which supervises the organizers, explained the community’s vision:

For our residents with special needs, Estia Agios Nikolaos is often their only family and home. Many of them do not have a family that can care for them, and very sadly, most will face the trauma of losing their parents. It is our mission to be able to provide them with a lifelong, stable and loving home. The biggest challenge will come when the first residents will age (in the case of those with Down Syndrome, with dementia). We are now starting to study what it will take to build our 5th home, with special facilities for this group. We need to solve many issues for this, in addition to money, and particularly Greek legal requirements and infrastructure.

On a day to day basis, in the middle of the crisis, Estia has not only survived but managed to thrive, thanks to the love and generosity of an ever widening circle of supporters in Greece and abroad. I believe that this is thanks to its message of inclusiveness, which is filling a growing need in all our societies (to balance the opposite trend of nationalism and xenophobia) We are thankful for this, as we need to continue and to expand our possibility to provide life-long care for our residents. Due to the crisis, the ability of many of our residents to compensate for the patchy payments by EOPYY(social security) been reduced, and we have been able to fully cover this and to even offer full ‘scholarships’ to new residents from every part of Greece.”

And of course, the work is never done. There are plans for acquiring more animals, such as bees and a donkey, building a wood-fired oven, planting olive trees.

I left feeling invigorated and inspired – some truly remarkable work is being done here. If you want to know more, and meet the principals of this story, watch the wonderful video made by Marianna Economou.

 

Treasure in the sea

In 1900, Greek sponge divers came upon a shipwreck off the island of Antikythera. From a depth of 45 meters they retrieved numerous large artefacts, including bronze and marble statues, pottery, unique glassware, jewellery, coins and various other objects. Among them was a lump of corroded bronze and wood which went unnoticed for two years, while museum staff worked on piecing together the larger statues.

One such was the Antikythera Ephebe, dated 4th century B.C., who now stands in the archaeological museum of Athens.

 

 

After some time the above-mentioned ‘lump’ was examined, but investigation led nowhere until 1971, when British science historian and Yale University professor Derek J. de Solla Price and Greek nuclear physicist Charalampos Karakalos thought to use  X-ray and gamma-ray images.
They thus discovered the now famous Antikythera mechanism, an ancient Greek analogue computer and orrery used to predict astronomical positions and eclipses for calendar and astrological purposes. It could also track the four-year cycle of athletic games which was similar (though not identical) to an Olympiad, the cycle of the ancient Olympic Games.

It is a complex clockwork mechanism composed of at least 30 meshing bronze gears.

 

Antikythera Mechanism, Archaeological Museum of Athens.

 

Since then, underwater excavations have resumed on the wreck, a large 50-meter ship sailing from Asia Minor to Rome in 1BC. This year on 4 October, an international team excavating the site announced that during a 16-day dive season the previous month, they had found several major statue pieces, including two marble feet attached to a plinth, part of a bronze robe or toga, and a bronze male arm, with two fingers missing but otherwise beautifully preserved. A slim build and “turning hand” gesture suggest that the arm may have belonged to a philosopher, according to archaeologists.

Below is a fascinating film of the expedition, giving a glimpse into what it’s like to be a part of such discoveries. Teamwork, bolstered by technology and plain old elbow grease.

 

 

 

Edward Dodwell – watercolors of Greece

As a follow up to my post Old Athens, I thought I’d write a few words about Edward Dodwell (1767 – 1832), an Irish painter, traveller and archaeologist, who travelled widely in Greece, making exquisite paintings in the process.

 

 

Edward Dodwell was born in Dublin to an ancient and wealthy Irish family, and studied Classics and Archaeology at Trinity College, Cambridge. Being in possession of a large fortune and free from professional commitments, he dedicated himself to the study of Mediterranean cultures.

 

The dance of the dervishes at the Tower of the Winds in Athens, which was used as a tekije (dervish lodge). Sixteen ostrich eggs hang from the ceiling to avert the evil eye.

 

Dodwell travelled from 1801 to 1806 in Greece, which was then a part of the Ottoman Empire.

In 1801 he sailed to the Ionian Islands and the Troad with Atkins and the well-known traveller William Gell. In 1805 he visited continental Greece in the company of the painter Simone Pomardi, during which time they produced almost one thousand illustrations. These bring to life a vanished world that, since then, have enchanted European travelers and inspired their passionate pursuit of classical antiquity.

 

The village of Portaria on Mount Pelion

 

“Almost every rock, every promontory, every river, is haunted by the shadows of the mighty dead,”  Dodwell wrote, conveying with aesthetic sensitivity the discovery of each place, the journey of exploration of an unknown landscape; and managing to combine monuments, history, and contemporary life.

Dodwell’s paintings contain an immense wealth of information on Greek public and domestic life during the years before the War of Independence. He was often invited to stay in the houses of prominent Greeks.

 

Dinner at Crisso, near Delphi, in the house of the bishop of Salona.

 

Apart from archaeological issues, he wrote about the dances, music and games of the Greeks, as well as about local insects and birds.

His observations are varied – he notes, for example, the presence of a number of black slaves in the town of Patras and elsewhere, writes of Ali Pasha’s extortions, and lists the products peculiar to each region.

 

The bazaar of Athens. On the forefront, on the right, an emancipated African slave. On the doorway, the owner of the coffeehouse who is brigning a tray with coffee to the Ottoman governor Disdar Aga.

 

Dodwell was in Athens in March 1805, while Lord Elgin’s crews were pillaging the sculptures of the Acropolis monuments.

 

Removal of sculptures from the Parthenon by Lord Elgin’s men

 

Dodwell published A Classical and Topographical Tour through Greece (1819); Views in Greece, with thirty colored plates (1821); and Views and Descriptions of Cyclopian or Pelasgic Remains in Italy and Greece (1834). These books are still of value to archaeologists today.

 

 

He subsequently lived in Naples and Rome, and married a woman thirty years his junior. Unfortunately he caught an illness and died in 1832, while exploring the mountains of Italy. His large archaeological collection, of coins, 115 bronzes and 143 vases, kept for a time in his house in Rome, was later sold to the Munich Glyptothek.

Old Athens

Today Athens is a large, bustling city with a population – suburbs included – of over three million. It has its own particular Greek flavor, of course, but it also has many common characteristics with other European capitals: a lot of traffic, pollution, the usual ubiquitous shops, restaurants, cafés, museums, opera houses, theatres, squares and parks.

Athens, however, is a relatively new city, which evolved, in the 19th century, from a regional town of the Ottoman Empire to the capital of the new Kingdom of Greece. After the liberation from the Turks, it was a ruined and semi-abandoned town. But King Otto, the young Bavarian prince sent over by the Allies, declared it a capital, and in 1834 its reconstruction began, under architects Stamatis Kleanthis, Edouard Shaunert and Leo von Klenze, the king’s counsel.

It was then that the neo-classical buildings which even now give the city distinction were erected, starting with the Royal Palace, which was paid for by King Otto’s father, the king of Bavaria, as a personal loan to his son. In 1934, after extensive renovation following two fires (the royal family had meanwhile moved to a new palace), the building became the House of Parliament.

 

 

The University of Athens was designed by the Danish architect Hans Christian Hansen and built with financial support from the king, the king of Serbia and various prominent Greeks.

 

The Athens Cathedral was also initially designed by Hansen, but finished by Greek architect Dimitris Zezos, who added Byzantine aspects. The church was partly built using material from abandoned Byzantine churches.

 

There were many other public buildings built at that time, as well as private residences.

Fast forward to circa 1917, after the first war, when the following photos were taken by our French Allies.

Cattle at the temple of Hephaestus.

 


Cooking with a view of the Acropolis.

 

A neighborhood near the center.

 

A shopping street with a mosque in the background.

 

 

Buying grapes. Some men still wore traditional clothing.

 

Children playing in the streets of Plaka, beneath the Acropolis.

 

Coffee in the garden of Zappeion. In the early twentieth century, Athens was still a provincial town of circa 180.000 people.

 

Constitution Square: The large white building on the right was built in 1842 and since 1874 houses the Grande Bretagne Hotel, where history has been written many times over and  which is still  today one of the  great luxury hotels in the world. In 1888 it was one of the first buildings in Athens to have electricity installed.

 

One of the main commercial thoroughfares, Stadiou Avenue, in 1935.

 

During WWII, Athens came under German occupation.

 

German tanks in Athen.

The city suffered great destruction and famine, exacerbated by the civil war which exploded following liberation from the Germans, and which raged until 1949 (my parents always told us this was much worse than the German occupation).

 

A British soldier in Athens during the civil war.

 

Children singing carols in the early 1950s. Ill-fitting coats, heads shaven against lice, but at least these two have shoes on.

 

The ice-cream man. Many years later, a man on a bike pushing an icebox still came into the park where we played when I was a child. I vividly remember our excitement, and the smell of the ice as the heavy lid was lifted, and we bent over the box to make our choice: vanilla or chocolate, on a stick or in a cup. It was a real treat.

This is far from pretending to be a comprehensive overview of the long and complicated history of Athens. I just happened upon these old pictures and thought they gave off a charming aroma of time passing.

Syntagma  (Constitution Square) then…

And now…

All images are from Google. Since most are old, it was difficult to attribute credit.

Greek notes in Sicily

Pretoria fountain. Detail

 

The Ancient Greeks left their mark everywhere – everywhere in the known world, or Oecumene, a Greek geographical concept describing the inhabited parts of the world. They were merchants and traders, and they were the first to colonize Southern Italy, where they founded Magna Graecia, which included the island of Sicily. They first started living there in the 8th and 7th centuries BC and, since then, Sicily has seen the passing of many civilisations, the remnants of which form rich layers in the tapestry of the island. Greek, Roman, Byzantine, Arabic – they are intertwined in many ways.

 

 

In Palermo, a city which teems with the same variety of faces one probably came across all these centuries ago, driving is a hazardous affair. In the old town, the streets are so narrow that even a small car brushes the houses on either side, where open doors reveal the trappings of daily life – a woman ironing, a baby in a high chair – while tourists walk in the middle of the road gawping at the sights, and scooters edge past without slowing down at all. There are no sidewalks, and road signs are cheerfully ignored by all and sundry.

 

 

In the Piazza Bellini (above), three Churches surround a paved square.
San Cataldo, an austere Norman structure made of grey stone (seen on the right), and Santa Margarita del Amiraglio, (on the left) whose enchanting interior combines astonishing Byzantine mosaics with an elaborate baroque centre.

 

View of the church with the baroque part at the altar

 

The mosaics are literally breathtaking.

 

 

Below is a view of the dome with mosaic of the Pantokrator.

 

 

The byzantines did like their gold!

 

 

And the decorative details are also beautiful.

 

 

Through the window can be glimpsed the façade of the third church, Santa Caterina, on the opposite side of the square. Its interior is a synthesis of Sicilian baroque, Rococo and Renaissance.

 

 

Behind Santa Caterina, Piazza Pretoria boasts a fountain which, while it is not Greek, I could not resist photographing, since it is decorated with a series of marvelous carved animals, all different and sporting exquisite expressions on their white marble faces.

 

Pretoria Fountain. Detail.

 

The Petoria Fountain was built in Florence, but was sold to Palermo in 1554.

 

 

Due to the nudity of the statues on the top of the fountain, considered shocking at the time, the square became known as Piazza Della Vergogna, or Square of Shame.

 

I love the contrast of the naked statues with the once-beautiful but decrepit building behind

 

In Taormina, the Greek Theatre was built in the 3rd century BC. An incredible 100.000 cubic meters of rock were moved for its excavation, and it could seat over 5000 people. In Roman times it was renovated and enlarged and the brickwork of that era still survives today. As with all Greek theatres it has brilliant acoustics and is regularly used every summer for opera, concerts and plays.

 

 

The view from the gods includes brilliant sunsets and the majestic cone of the Etna volcano, which is the largest on the whole Italian peninsula, and the tallest volcano in Europe. The Greeks considered Etna to be the forge of Haephaistos (Vulcan) who used it to create thunderbolts for Zeus; it was also the home of the giant one-eyed monster, Cyclops.

 

Panoramic photo from Google

 

Syracuse (Συρακούσαι) and Selinunte (Σελινούς) were also cities founded by the Greeks, whose names were often mentioned in the reams of Ancient Greek text – Thucydides, if I’m not mistaken – which we had to translate at school, with a cheat sheet under the desk (bought at the local stationers’). All those complicated wars and sieges would have been brought to life if the school had organised a trip to Sicily for us.

In Selinunte, the temple dedicated to Hera is majestic, larger than most found in Greece.

 

The entrance to the site

 

It is difficult to imagine it painted in blue and red, as it was in antiquity.

 

Of the three temples on the religious site at Selinunte, this is the only one to have been partially restored.

 

 

Through the columns, one can glimpse wonderful views of the sea.

 

 

This is  the smaller of the three temples on the site, the third and largest being probably dedicated to Zeus.

 

 

The columns have imploded and are tumbled in heaps, with greenery and brambles growing amongst them.

 

 

The photo below shows the sheer size of each hewn pillar.

 

 

Further from the religious site stand the remnants of the Acropolis and the old fortified city. Selinunte, whose name derives from the Greek selinon (Σέλινον) for the wild celery which grows abundantly here and whose image they used on their coins – was a thriving town comprising, at its peak, more than 30.000 inhabitants , excluding slaves.  As was inevitable, they were involved a series of wars with their neighboring cities.

 

 

In 409 BC, the Segestans, with whom they had been fighting, asked for help from the Carthaginians, who were of Phoenician descent and based in Tunis. They crossed over in a fleet of 100.000 men and laid siege to the city. Finding the inhabitants unprepared for such an assault, they breached the walls, lay waste to the whole town and massacred 16,000 people. A further 5000 were taken into slavery. The survivors eventually came back but, despite various attempts to rebuild, Selinnte never regained its former status.

 

The ruins of the town. Main Street. Selinunte was built according to an urban plan dividing it into blocks.

Trying to imagine what it must have been like, looking over that beautiful sea and seeing the Carthaginian fleet appear over the horizon.

 

Sicily is a large island and there are many more places to visit, such as the Valley of the Temples in Syracuse. It is home to around five million inhabitants and is a melting pot of a variety of different cultures and ethnicities, including the original Italic people, the Greeks, Romans, Byzantines, Saracens, Normans, Swabians, Aragonese, Lombards, Spaniards, French, and Albanians, each having contributed to the island’s culture and genetic makeup. It also boasts stunning scenery, great beaches, friendly and hospitable people and fantastic food.

Foodie footnote: Apart from great olive oil, honey and tomatoes, Sicilian produce includes lemons and pistachios. The refreshing lemon granita is to die for, as is the pistachio ice-cream and semi-fredo. You are offered all kinds of fresh fish and shrimp, caponata made with their delicious aubergines, food with oriental touches such as chickpea fritters and, among the endless variety of pasta, a dish I’d never tried before: linguine with lemon and pistachios – absolute heaven on a plate. And a final unmissable – the cannoli: crunchy biscuits tubes filled with whipped ricotta in many flavors (including pistachio, of course!). And, last but not least, one must not forget the delicious local wines.