The Hapsburgs knew a good thing when they saw it, and that is why the Kunsthistorisches Museum Vienna now owns the world’s largest collection of paintings by the most important Flemish painter of the 16th century, Pieter Bruegel the Elder (c.1525 – 1569). This year, to mark the 450th anniversary of the artist’s death, the museum has put on an overview of his complete oeuvre. Some of the fragile wood panels on view have never been loaned to exhibitions before.
Only 40 paintings by Bruegel still remain in existence, and of those 30 are in this exhibition. There is also a large number of drawings and prints, because Bruegel began his career as a graphic artist, settling in Antwerp, where he worked mainly as a prolific designer of prints for the leading publisher of the day.
The exhibition is astonishing, with its vibrant vistas of comedy and horror. Bruegel recreated the world in a diorama, where a multitude of ordinary people go about their daily business. They eat pancakes, drink beer, cook fish. Children are engrossed in their games, cripples hobble about.
You can get lost in the paintings, such is their detail—and it is amazing, in this instance, to be able to see them all together, and up close (despite having to wait your turn, and sometimes peep behind people’s backs, because, as was to be expected, the exhibition is hugely popular and teeming with visitors.)
Some paintings are allegorical, such as his masterpiece about the horrors of war, Dulle Griet, which inspired Bertolt Brecht’s play Mother Courage (see detail, above.)
Some are shocking, such as the Triumph of Death, where people are shoved into giant coffins by armies of skeletons under a dark sky. There is no escape, the hordes of the dead are unbeatable.
My favorite still remains the larger of the two Towers of Babel, with its incredible imagination and detail.
But Bruegel also had an eye for nature. He was very well travelled for his time, and his landscapes go far beyond the flatness of Flanders. He has depicted the Alps, and Vesuvius belching smoke in the Bay of Naples. His trees and cattle are exquisitely rendered. I particularly love the reflections on water, and the light in the distant horizons. Bruegel might be considered the successor of Hieronymous Bosch, but Bosch’s world is more dreamlike, whereas Bruegel’s is grounded in reality. That is his particular magic.
In his winter landscape, Hunters in the snow, made in 1564, people skate on blue ice, ravens roost on bare branches, and snow-covered roofs can be glimpsed in the distance. A fitting image with which to wish everyone a very Happy Christmas !
I absolutely love his paintings, Marina. You can always find something new in the crowd scenes, or marvel at the small details. A wonderful exhibition indeed. Thanks for showing us.
Best wishes, Pete.
LikeLiked by 1 person
Thanks, Pete, I felt very lucky to have been able to go.
LikeLiked by 1 person
A wonderful collection. Happy Christmas to you, too
LikeLike
Thank you Derrick. Hope you have a lovely holiday
LikeLiked by 1 person
A lovely tribute to this artist Marina. Merry Christmas to you too!
LikeLike
Thanks, Deborah, same to you!
LikeLiked by 1 person
I love his Hunters in the Snow painting. A Merry Christmas to you!
LikeLiked by 1 person
Best wishes to you too, Andrea!
LikeLiked by 1 person
Truly magnificent. What s talent he had. Thank you for your wonderful posts. Have a merry Christmas.
LikeLike
Thank you, and the same to you!
LikeLiked by 1 person
i know of him, but have never had a chance to become immersed in his work. Your delight in his paintings comes shining through! I wish you a lovely Christmas too, Marina, surrounded by people who love you. And a safe and gentle 2019.
LikeLike
The same to you, Anne, all best wishes from me too!
LikeLike
A beautiful collection, Marina. Hunters in the Snow is such an iconic artwork, it’s lovely to see it being celebrated here. Merry Christmas to you and yours!
LikeLiked by 1 person
I didn’t realise there were so few of his works around. It must have been an amazing exhibition.
LikeLike
It was. He painted on wood instead of canvas, so I think they didn’t last so well…
LikeLiked by 1 person
Ah, that’s sad.
LikeLike
As an ex-Historian, I love the detail of ordinary people’s lives in these paintings. I didn’t realise he went in for allegorical paintings too. The fish hedds remind me of Bosch. Merry Christmas!
LikeLiked by 1 person
Same to you, Emma!
LikeLiked by 1 person