The British sculptor Anthony Gormley seems to be everywhere these days. Sadly, I never managed to get to Delos to see his fantastic installation (for those who missed my post on this, you can find it here), because Delos is not easy to access. However, I took the opportunity to see his lovely exhibition at the Royal Academy in London.
There were many of his ubiquitous depictions of the human body in various forms:
Some upside down
Walking on the ceiling.
But also some large and impressive installations:
Visitors were invited to walk through this one.
The one below looked like an alien vessel – an impressive 6 tons of steel rods suspended from the ceiling, dwarfing the people beneath.
You could also walk through this next one, via the rectangular opening leading into a narrow steel tunnel, in almost total darkness – if you weren’t claustrophobic, that is.
But I mostly loved its architectural shapes, framed by the arched doorway.
Another installation featured a room flooded with Atlantic seawater on a bed of clay from Buckinghamshire. In general, the installations were site-specific, fitting beautifully into the shape of each room.
Wall art included the work below, made with clay on a blanket, which had a fleeting, haunting aura.
The one below was not one of my favorites, but intriguing nonetheless, since it was made out of slices of bread dipped in wax:
Finally, for someone like me who loves works on paper, there was an abundance of treasures on offer, including a multitude of small spiral notebooks where Gormley recorded his ideas (these proved impossible to photograph, since they were presented in glass cases).
These drawings were made with charcoal and casein.
But very evocative.
And there was a whole, luminous series made with earth mixed with linseed oil.
I came away most inspired.
Highly recommended, if you’re anywhere nearby.